Wednesday, July 30, 2008

The Secret Art of the Wiffle Pitch

by Christopher Reardon

I'm not the most athletic person in the world, and in most sporting ventures would probably be that sad fat kid that gets picked last, but I do fancy myself a decent Wiffle Ball pitcher of all things. Pitching a Wiffle Ball is not as easy as it should be - it's a soft piece of plastic with holes in it and tends to move a lot even if you don't want it to - but if you learn its secrets you'll be striking batters out in no time. Keep in mind that I am right-handed and most of the tips here assume the user is also right-handed, but they can be adjusted for a left-hander if necessary.

Getting to know your Wiffle Ball

First things first, you've got to learn a thing or two about the ball you're trying to throw. Those holes are not cosmetic. They allow for air to move around and through the ball in different ways depending on grip and delivery, and thus allow for a Wiffle Ball to break, sink, or float much more drastically than possible with any baseball. There is also a seam on a Wiffle Ball, just below and parallel to the line of holes, that is useful for finger placement, and the bottom of the ball has a logo that is also useful. Just like in baseball, a slightly used (or "mudded") Wiffle Ball is actually preferable to a brand new one. Some people even go so far as to scuff the surface of their ball with sandpaper or a knife, but I like to simply throw the ball around and let nature take its course in aging the ball. Finally, use an official Wiffle Ball. Those knock offs are different and probably require totally different mechanics and grips to be thrown effectively.

Mechanics

Delivery mechanics in Wiffle Ball are not as important as they are in baseball, but there are a few things that any budding pitcher should keep in mind when fine-tuning their delivery:

1. Avoid throwing across your body - Pitching is an unnatural motion, and pitching correctly is even more-so. When throwing your right arm will naturally want to move toward your left hip, which will negate a lot of the effects of pitch rotation and throw off your command. When throwing over-hand, keep your arm in line with the right side of your body. When throwing from a 3/4 angle or sidearm, move your arm downward toward the end of your delivery. Remember to rotate your hips a bit and this step will come more naturally.

2. Bend your back knee - At the very start of your delivery, bend your back knee in preparation for the push-off. This small step will add a lot of power to your repertoire as you will now be using the energy in your legs as well as your arm to throw.

3. Eyes on the prize - It seems pretty simple but this small step will help you get a good look at your target and stay in command of the strike zone. It may help to use an open stance in your delivery - that is, starting with your front foot a little off line of your back foot (to the left if you are right-handed). This way you will have to turn your head less to keep sight of the zone even as your lift your landing foot.

4. Land with your front foot pointed at the target - At first it may seem natural to keep your front foot pointed in the same direction your back foot started, that is toward third base if you are right-handed. This is a big no-no, as you will always be throwing across your body and you will never generate as much power as you are capable of. If you land with your front foot pointed in front of you, guess what? Your pitch will move in front of you.

Basic Pitches

Straight Fastball - Hold the ball like you would an egg; very lightly and with your thumb directly below your index and middle fingers. Don't cover any holes with your fingers. Keep your wrist straight but snap it downward at the end of your delivery. This pitch can be thrown from any arm angle; I suggest you master it from every angle so that you can use it to set up any pitch.

Slider - Cover three holes with your middle finger and keep a little space between your index and middle fingers, keeping a tighter grip with your index finger than with your middle finger. Cock your wrist slightly to the right and snap it downward at the end of the delivery, letting the boll roll or snap off your index finger. The movement on this pitch can be altered depending on grip and delivery. If you point the tip of your index finger closer to the seam of the ball the pitch will have more downward movement. Also if you throw the slider over-hand it will break down and slightly away, but if you throw from a 3/4 or sidearm angle it will break more away from a right-handed hitter. Mix it up to give the batter a few different looks with one pitch.

Curveball - Cover three holes with your middle finger, but keep your index and middle fingers close together and tighten the grip on the middle finger. Keep your wrist straight but at the end of your delivery turn it over so that your fingers roll off the bottom of the ball and the the pitch has topspin. At this point your palm should be pointed more or less upward. A good curveball will have a huge 12-6 or even 12-5 break. This pitch is best thrown over-hand, but a good sidearm pitcher can use it as a sort of frizbee slurve pitch.

Straight Changeup - Don't cover any holes with your fingers, but hold the ball deep in your hand and use a tight grip with your wrist straight. It can be thrown from any angle, but try to use the same delivery you've been using for your fastball to fool the hitter. Don't hold back on your delivery too much either, this will tip the hitter off and most likely result in a big hit. Trust that the grip will slow the pitch enough to fool the hitter.

Advanced Pitches

Sinker - Grip the ball tightly along the seam with the holes pointed upward and your ring and pinkie fingers curled around the logo on the bottom of the ball. Keep your wrist straight and snap it down on release. This pitch must be thrown from a sidearm or 3/4 angle in order to let air into the top of the ball and push it downward.

Riser - Grip the ball tightly along the seam with the holes pointed downward and your ring and pinkie fingers curled around the space just below the holes. Keep your wrist straight and snap it downward on release. This pitch must be thrown from a sidearm or submarine angle to effectively rise through the strike zone. It's hard to master but it's also a hitter's nightmare, so I suggest you give it some practice.

Cutter - Grip the ball just as you would a fastball, but cover one or two of the holes on the right side of the ball and use a very slightly tighter grip. This should cause the pitch to move like a cross between a fastball and a slider.

Watch this vid and weep because you'll never be this good (but it's ok because neither will I):


Tuesday, July 29, 2008

NORMAL is back! and Top Ten Movies

by Christopher Reardon (with contributions from Matthew Jupin and Matthew Reardon)

Well it's been a while friends, but NORMAL Blogazine is back in action and better than ever. In order to celebrate our grand reopening, the NORMAL editors and myself have done the impossible. The unthinkable. The unimaginable. We've put together top ten lists of our favorite movies of all time. Now I don't know about you but I love movies and I personally thought I could never put together such a list, but it's done and I'm pretty happy with the results. If you can brave the sacrifice and tears it takes to shun some of your favorites in order to make a list of just ten movies, please show us the results in the comments section. Now onto the show.

Christopher Reardon's Top Ten Movie's of All Time:

10. Fargo (1996) - I've long been a fan of the Coen brothers', and behind the Academy Award winning performance of Frances McDormand as Marge Gunderson, this movie tops my list for the sibling filmmakers. In my experience people either loved or hated this movie, but I can't understand why anyone wouldn't want Margie to be their friend as much as I do, and the almost thrilling detective story is no slouch either.

9. Juno (2007) - As a huge fan of the short-lived TV show Arrested Development, I almost flipped when I learned that stars Jason Bateman and Michael Cera would be in a movie together. After the disappointment I felt when I realized they didn't even have any scenes together, I realized that it didn't matter because the aptly named movie is all about one thing: Juno. Ellen Page stole the show and my heart as a pregnant teenager and the lovesick back story is sweet enough to make Lucille Bluth smile. Oh yeah, the soundtrack is pretty amazing, too.

8. Rent (2005) - Ask Kelly, my best friend and upstairs neighbor in college, how much I loved this movie and she'll probably groan about having to hear me sing the soundtrack at the top of my lungs from all the way upstairs. It's her own fault though, because she's the one who introduced me to this masterpiece. Any movie thats inspires me to laugh, cry, sing, dance, and scream in anger (when a fire drill interrupted my third viewing) deserves to make this list. I've yet to see the broadway show, but I'm kind of afraid to because I'm worried it won't live up to its Hollywood counterpart. By the way, the screenplay was written by Perks of Being a Wallflower author Stephen Chbosky, a definite favorite of mine.

7. Monty Python and the Holy Grail (1975) - My friends and I can sit around and quote this movie for hours if necessary. I mean, come on: "We want... A SHRUBBERY!" or "There are some who call me... Tim." Hell, I even have a t-shirt that says "I fart in your general direction!" Something about mindless humor that takes a genius to write really appeals to me, which is why The Holy Grail makes this list. If you haven't seen it, do yourself a favor and rent it as soon as possible.

6. Beautiful Thing (1996) - There was a two-month period of my life in college in which I watched this movie every single day, often multiple times per day. Granted, my love for British movies is pretty well known, but this movie so far surpasses the British appeal as to have something to offer to every single gay youth and many heteros throughout the world. The story of Jamie and Ste's love for each other is so simple and so heart-wrenching that one just can't look away. The soundtrack is almost 100% Mama Cass, which never appealed to me before watching but which is now a mainstay of my iPod library. Brokeback Mountain has nothing on this gay love story.

5. Superbad ( 2007) - Michael Cera makes the list again, and with good reason. Superbad is so funny, so classic, so quotable as to belong in any top ten comedy list. My love for fat kids, bad singing, and homo erotic buddy flicks puts it in my top ten of all time list. Not only is Superbad written well, but the design of the movie (especially the costume design) is fantastic. When Evan warns the girl of his dreams to be careful with his vintage sweater because it has sentimental value to him, I suddenly understood the whole concept of this movie: vintage comedy with a modern twist that has something in it for everyone. I could watch this movie every day and not get sick of it, and you should too.

4. The Dark Knight (2008) - It's a good thing they decided to take the name "Batman" out of the title of this movie, because it's really not about Batman at all. The Dark Knight is all about the Joker. At once the scariest, funniest, most surreal and yet most human of all movie villains I've ever watched, and I could never take my eyes off of him. What a way to leave the world, Heath Ledger, and trust me there will never be another Joker like yours. Besides Ledger's huge performance, The Dark Knight is a thrilling action movie that everyone in the world should go see. Now. Why are you reading this? GO SEE THE DARK KNIGHT NOW!

3. Silence of the Lambs (1991) - As a kid I hid in the hallway while my family watched this movie because I was so scared. As an adult I can hardly take my eyes off of it. Hannibal Lecter goes down as one of the best movie villains of all time, and Clarice Starling as one of the best not-so-helpless heroines. Meanwhile, while Hannibal plays on the human side of villain-dome, "Buffalo Bill" Gumb plays with the anti-human, totally psychotic side. It's scary but fascinating. If you love a thriller (and I do), then this movie is definitely tops in the genre.

2. The Shawshank Redemption (1994) - Tim Robbins and Morgan Freeman put together possibly their greatest performances of all time in this instant classic. A prison movie is a prison movie, but "The Shank" is the second best movie ever. An epic story with human characters, clever twists, and one of the most cathartic escape scenes ever. It's so cool, so touching, so unforgettable as to make everyone who sees it a fan. Even if you hate prison movies this one has something to offer for you.

And Christopher Reardon's Number One Movie of All Time is...

1. Little Miss Sunshine (2006) - The first time I saw this movie I said to myself (and everyone around me) "That was my favorite movie of all time" and I have yet to sway from that stance. Though the rest of this list was agonizing to organize, I never had a question about what number one would be. In putting this list together I have come to realize my love for charming female leads (see: Juno, Fargo), but Little Miss Sunshine is about so much more than the Academy Award nominated performance of Abigail Breslin. While Juno would have fallen apart without Ellen Page as the lead role, Little Miss Sunshine would never have survived in the absence of any single member of the Hoover family. It's rare for an ensemble comedy to be so singularly touching, but Little Miss Sunshine succeeds with gusto. If you haven't seen this movie, it's in your best interest to go see it now. Because I will punch you in the face if you don't.

Honorable Mentions:

Most Quotable - Talladega Nights: The Ballad of Ricky Bobby (2006)
Best Classic - Cool Hand Luke (1967)
Best Family Movie - Finding Nemo (2003)
Best Action Movie - 300 (2006)
Most Fantastic - Pan's Labyrinth (2006)
Others - Hot Fuzz, 28 Days Later, Pulp Fiction, Memento

Matthew Reardon's Top Ten Movies of All Time:

10. Tommy Boy (1995)
9. Super Troopers (2001)
8. Rambo: First Blood (1982)
7. The Dark Knight (2008)
6. Silence of the Lambs (1991)
5. Pulp Fiction (1994)
4. Goodfellas (1990)
3. American History X (1998)
2. Shawshank Redemption (1994)
1. Forrest Gump (1994)

Matthew Jupin's Top Ten Movies of All Time:

10. Airplane (1980)
9. Forrest Gump (1994)
8. Training Day (2001)
7. Seven (no pun intended) (1995)
6. The Departed (2006)
5. Talladega Nights: The Ballad of Ricky Bobby (2006)
4. Braveheart (1995)
3. Pulp Fiction (1994)
2. The Dark Knight (2008)
1. The Godfather (Part One) (1972)